Meet the Cast

Jason
Durr

Colonel Mustard

  • After training at LAMDA Jason went straight to the Royal Shakespeare Company, working with director Trevor Nunn in Measure For Measure and The Blue Angel, followed by Macbeth directed by Adrian Noble.

    Some of Jason’s other theatre credits include:

    LOUIS in Losing Louis (Hampstead Theatre/Trafalgar Studios), SHERLOCK in Sherlock Holmes - The Best Kept Secret (West Yorkshire Playhouse and Tour), TONY BLAIR in Follow my Leader (Hampstead Theatre/Birmingham Repertory Theatre), QUINE in Donkeys Years (Rose Theatre), HERCULE POIROT in Black Coffee (Theatre Royal Windsor and Tour). ZACK in A Chorus Line (Sheffield Crucible), VINCE in Way Up Stream (Chichester Festival TheatreBlack), NICK in The Wrong Side of The Rainbow (Donmar Warehouse), GUY in Volcano (West End - Vaudeville Theatre), BEN in The Destiny Of Me (Haymarket Theatre), and MATTHEW in Contact.com (Park Theatre).

    TV includes:

    Above Suspicion, Inspector Morse, Midsummer Murders, Lewis, New Tricks, Numb3rs, Agatha Christie’s Marple: The Blue Geranium, Mysterious Island, The Paradise Club, Femme Fatale, Summer Solstice, Bugs, Christmas, A Dark Adapted Eye, Fooling Hitler, Winter Solstice, Sharpe’s Battle, Iphigenia at Aulis, Medics, Gawain And The Green Knight, The Chief, Jupiter Moon, Heartbeat, Holby City & Casualty.

    Film includes:

    Young Soul Rebels, The Killer Tongue, True True Lie, and Down Dog.

Ellie
Leach*

Miss Scarlett

  • Ellie Leach is known to millions of TV viewers after she and dance partner Vito were crowned the winners of Strictly Come Dancing in December 2023.

    Born and raised in Manchester, she began attending acting lessons at the age of four to overcome a natural shyness.

    At the age of nine she was cast in Coronation Street as Faye Windass and departed the cobbles in 2023 after 13 years. During those years she was at the heart of a number of hard-hitting storylines, the biggest being when her character became pregnant at just 13 and gave her baby up for adoption. Ellie then took to the dance floor winning the hearts of the public with her energy and enthusiasm not to mention natural dance ability.

    Ellie lives with her parents and younger sister in Manchester. Over the years she has been actively involved with, and is now an Ambassador for, the When You Wish Upon A Star charity which grants wishes to children dealing with life threatening illnesses. She is also a patron of the Willow Wood Hospice in Stalybridge.

    Cluedo 2 marks her stage debut.

Jack
Bennett

Wadsworth

  • Jack trained at LAMDA and is a former Artist in Residence of the Oxford Playhouse and Associate Artist of ARC, Stockton.

    Theatre includes: Harry Potter and the Cursed Child (Original Cast, Palace Theatre); Ecstasy (Hampstead Theatre in the West End); And a Nightingale Sang (New Vic); After the Rainfall (Curious Directive); Windfall (Southwark Playhouse); The Bible: The Complete Word of God (Abridged) (Reduced Shakespeare Company); The Elephant Man (Sheffield Crucible); The Front Page (Chichester Festival Theatre); Mother Clap’s Molly House (NT in the West End).

    Film and TV includes: The Batman (Warner Bros.); HERE (Sony); The Dig (Netflix); Life Hack (Bazelevs Entertainment), Forever Now (Dark Matter Studios), Mousie (Kewhaven Pictures), Gangs of London (Pulse Films); Britannia (Neal Street Productions); Eastenders (BBC); Doctors (BBC); Hustle (Kudos).

Hannah
Boyce

Mrs Peacock

  • Originally from Glasgow, Hannah trained on the Musical Theatre Course at The Dance School of Scotland where she achieved the highest mark in Trinity College London’s history for her Performance Diploma. She then moved to England where she earned a first- class honours degree from Guildford School of Acting. Professionally, Hannah has appeared in stage productions including leading the cast in Mischief Theatre’s Olivier Award nominated ‘The Comedy About A Bank Robbery’ on London’s West End.

    Other theatre includes: The Judas Kiss (New York); Lord of the Flies; Around The World In 80 Days (Eastbourne Theatre), Dreamboats and Petticoats (UK Tour); Horrible Histories (UK Tour).

    TV includes: Sex Education (Netflix); Doctors (BBC); The Flatshare (Paramount+).

    Hannah made her professional directorial debut in 2023 with a production of Snow White for Jordan Productions and is currently writing a comedy show for children. She was also Creative Producer and Production Designer on original dance short film ‘DateLeap’ which has now been screened in cinemas all around the world including London, California and Paris.

Dawn
Buckland

Mrs White

  • Dawn has just wrapped on the new Disney Plus/Apple TV series “A Thousand Blows” for Apple TV, Due for release 2024

    Theatre includes: Dolly Sinatra in Sinatra the Musical (Birmingham Rep); Paula/Marina in Rehab – the Musical (Playground Theatre); Polly Parker in Nativity – The Musical (Apollo Theatre, Hammersmith); Nurse Ratched in Cuckoo’s Nest (Battersea Arts Centre); Mamma Mia! (Novello Theatre); Billy Elliot (Victoria Palace Theatre); Mrs Sowerberry in Oliver (Tour); Miss Bell in Fame (Aldwych Theatre); Miss Grano in Peggy Sue Got Married (Shaftsbury Theatre); La Cava (Victoria Palace

    & Piccadilly Theatres); Ashley/Dinah and Pearl in Starlight Express (Apollo Victoria Theatre); Sue Jeager in South Pacific (Crucible Theatre, Sheffield); Pippin (Bridewell Theatre).

    Film & TV includes: Miss Bow Sweets in Christmas on Mistletoe Farm, playing the role of Miss Bow (Netflix); Jackie in Taking Care of Business (Short Film); Wonka (Warner Bros); Greatest Days (Elysian Film Group); Mamma Mia 2 ‘Here We Go Again’ (Universal Pictures); Beauty and the Beast (Disney Pictures); Mrs Hudson in Victoria (ITV).

    Choreographer/Directing work includes: A Thousand Blows (Disney UK/Apple TV); Peter Pan & Pirates of Penzance (Savoy Theatre); Fame (Aldwych Theatre); Danger Mouse Live and Mr Potato Head (Bourne Leisure/ Butlins); Only You Can Save Mankind (Edinburgh Fringe Festival); Associate Choreographer for BBC2 Our Dancing Town; Associate Choreographer Offenenbachs Orphee Aux Enfers (Royal Academy Opera).

Liam
Horrigan

Mr Black

  • Liam is from Essex and trained at the Royal Central School of Speech and Drama.

    Theatre includes: The Play That Goes Wrong (Duchess Theatre, West End); Cluedo (UK tour); The Play That Goes Wrong (UK tour); Ben Hur (Barn Theatre); The Devils (Embassy Theatre); A Midsummer Night’s Dream (Webber Douglas Studio).

    Audio credits include: The Queen Philippa (2handers/BBC); Writer/ Performer in DMs Are Open (BBC Studios).

    Film includes: Third Bench on the Left (CPO Productions).

    Liam has also written and performed as part of Horrigan & Howell for stage and audio, including: A Sketch Too Far (Hope Theatre; Edinburgh Fringe); Two’s a Crowd (Hope Theatre). Liam has written and performed in Horrigan & Howell: Sketch Tonic, currently available on Spotify and Apple Podcasts.

Edward
Howells

Professor Plum

  • Edward graduated from LAMDA in 2011. He recently played Dennis in The Play That Goes Wrong (West End and Tour) and was Swing on the first Cluedo tour. 2023 was a very exciting year for Edward – he filmed his television debut The Marlow Murder Club and launched a podcast The Unbreakable Movie Chain. He is thrilled to be hitting the road in 2024 with Cluedo 2.

    Other theatre includes: The Polar Express (Wise Owl); Still Life and Red Peppers (Old Red Lion); The Boy With The Cuckoo Clock Heart (Pleasance/Magpie Puppet Company); The Stolen Inches (Small Things); Hamlet (Backsbroke); The Wedding Reception (ITI).

Tiwai
Muza

PC Silver

  • Tiwai Muza is a Zimbabwean born British actor and writer and graduate of Drama Centre London. He is also a co-founder of Velvet Smoke Productions.

    Theatre includes: Original West End cast of To Kill a Mockingbird (Gielgud Theatre), Stamp (2021); Disc Jockey (2022).

    Film includes: with the NFTS, The Keeper (2021); Detached (2018).

Gabriel
Paul



Reverend Green

  • Gabriel’s honoured to be donning the dog collar to play Reverend Green, for a thrilling adventure spoofing his way around the country, inviting audiences to puzzle over ‘Whodunnit?’ in CLUEDO’s 75th anniversary year!

    Theatre includes: The Foreigners’ Panto (BOLD Theatre); Windfall (Southwark Playhouse); Macbeth (Leeds Playhouse); Everything I Own (Hull Truck); The Play That Goes Wrong (West End & UK Tours); Quality Street (Northern Broadsides); The Queen of Chapeltown (Leeds Playhouse); Bouncers (Esk Valley Theatre); Othello (Demi-paradise Productions).

    Film and TV includes: Coronation Street (ITV Studios); SAFE (Netflix); From Darkness (BBC Drama North); The Syndicate (Rollem Productions); Doctors (BBC Productions); The Hybrid (Liquid Noise Productions).

Kara
Alberts-Turner

Ensemble Understudy

  • Kara trained at Mountview Academy of Theatre Arts.

    Theatre includes: The Making of Frederick the Great (The Cockpit Theatre); The Brief Life and Mysterious Death of King Boris III (The Vaults); Stop Kiss (Above The Stag); The Marvelous Wonderettes (Upstairs at the Gatehouse & Theatre Royal Windsor); Wind in the Willows (Polka Theatre); Sleeping Beauty (UK Tour); Robin Hood (Italian Tour); The Hired Man (Union Theatre); Second Hand’s Gone (The Bunker & The Cockpit Theatre); Patterns: A Song Cycle (Landor Theatre).

    Film and TV includes: Walk The Dog (Pilot); Wayback (Thomas Thomas Films); Junkhearts (Coded Pictures).

    Other credits include: Gabriel (Workshop); Squarehead Books (Voice Over); The Ascension of Mrs Leech (Workshop); Sundance Film Festival (Presenter).

Audrey
Anderson



Ensemble Understudy

  • Audrey trained at The Royal Central School of Speech and Drama.

    Theatre credits include: UK: Windfall (Southwark Playhouse), US: Hard Times and The Steadfast Tin Soldier (Lookingglass Theatre Company); Noises Off (Windy City Playhouse); Charlotte’s Web (Children’s Theatre Company); Love’s Labour’s Lost (Classical Actors Ensemble); Pineapple (Irish Theatre of Chicago).

Henry
Lawes



Ensemble Understudy

  • Theatre includes: Blippi Cover/ Featured Ensemble in Blippi the Musical (Lyric Theatre – West End, Etihad Arena – Abu Dhabi & Jeddah); Colin Bridgerton in Secret Cinema Presents: Bridgerton; Pharaoh/Brother Asher in Joseph and the Amazing Technicolor Dreamcoat (UK Tour); Swing in Beauty and the Beast (Salisbury Playhouse).

    Short film includes: Josh in Infamy; Edmond in Monte Cristo Inc.

    MOCAP/Video Game credits include: Classified France 44

    Other credits include: Choir in ITV Gala (London Palladium); Tybalt in Romeo and Juliet (Workshop); Ensemble in Magic at the Musicals (Royal Albert Hall).

*Ellie Leach will not be appearing in Cheltenham or Birmingham

Creatives

  • Laurence and Maurice met at a youth club in Finsbury Park, north London in the early 1960s. Just as it seemed as if they might have to get proper jobs, they hit upon comedy writing as a way of avoiding decades of tie-wearing 9 to 5 careerism. Oddly, they now own several ties.

    They did have proper jobs for a time though; but while working as a journalist (Laurence) and a civil servant (Maurice) they wrote several speculative comedy scripts, which they sent off to various broadcasters, who each sent them back, though usually with encouraging noises.

    Then in 1978, just when it seemed that respectability was inevitable, Laurence overslept for the first and only time in his life. Thus, he missed his flight from London to Manchester, where he was researching an edition of ITV’s flagship current affairs programme This Week. Instead of sacking him, Thames Television booked Laurence onto the Euston-Manchester train where he found himself sitting opposite legendary comedy writer and producer, Barry Took.

    Laurence eventually summoned up the courage to talk to Barry and tell him of his and Maurice’s comedy writing aspirations. Barry generously offered to take a look at the lads’ unsold efforts; he was sufficiently impressed to introduce them to the producer of the Frankie Howerd Variety Show. This is what is generally termed a baptism of fire. Before they knew it, Laurence and Maurice were writing the bulk of a six-hour radio series, while trying to hold down their day jobs.

    However, after a brief period of psychological counselling they put Frank behind them and broke into television. Success came rapidly; their first television comedy series, Holding the Fort (1980-1983), was a top-five hit for London Weekend Television. They followed this up with the wildly popular Shine On Harvey Moon (1982-1985) the first television “comedy drama”.

    In 1983 the duo created Relative Strangers, a spin-off of Holding the Fort. To this day Relative Strangers remains Channel 4’s most viewed situation comedy, Always interested in music, Laurence and Maurice’s next big TV hit was Roll Over Beethoven (1984-1985), a romance between a rock legend and a village piano teacher, which featured an original song in each episode.

    Then Hollywood called, and Laurence and Maurice left the UK to become studio writers at Paramount Studios. When they eventually returned to the UK – rich and famous – they got together with the legendary Rik Mayall to create The New Statesman (1987-1992), a blistering satire that had no effect whatsoever on the popularity of the Thatcher government, but which nonetheless won both the BAFTA for Best Comedy and an International Emmy.

    Eager to have more control over their work, in 1989 Lo and Mo, as they were becoming known, founded ALOMO Productions in partnership with über producer Allan McKeown (the ‘AL’ in ALOMO). For most of the subsequent decade ALOMO was one the country’s leading independent television producers, with Laurence and Maurice creating a plethora of hits, including comedies Birds of a Feather, Get Back, Goodnight Sweetheart, and Unfinished Business; comedy drama Love Hurts; Mosley, a four-part historical film mini-series about Britain’s would be Führer, and Wall of Silence, crime movie.

    In 1993 Laurence and Maurice were awarded UK television’s top writer’s award when they jointly won The British Academy Writer’s Award. Arguably, they surpassed even this in 1997 when they achieved the twin peaks of their televisual acclaim; they were the subject of an edition of the South Bank Show and were asked to deliver the prestigious McTaggart Lecture at the Edinburgh International Television Festival. In a controversial address, they predicted a world of digital, pay-to-view television in which conventional broadcasters, especially the BBC, would struggle to compete. Unfortunately, they were correct.

    Despite their heavy TV schedule, Laurence and Maurice were always devotees of the theatre, and a chance meeting between Laurence and Sir Alan Ayckborne (Laurence’s talent for chance meetings is legendary) led them to writing their first stage play, Playing God, which premiered at the Stephen Joseph Theatre, Scarborough, in 2005. A year later they adapted The New Statesman for the stage. With Rik Mayall in the lead, reprising his notorious character Alan B’Stard M.P., the production toured the country to great acclaim, climaxing in a riotous residency in London’s West End. Further plays followed: Birds of a Feather, Von Ribbentrop’s Watch, and Love Me Do.

    In 2008 Laurence and Maurice got the chance to fulfil another ambition to work in musical theatre when they were invited to write the “book” for a major new musical. Dreamboats and Petticoats, inspired by the best-selling hit compilation album of the same name. It had a West End residency, toured repeatedly for nine years, and was nominated for an Olivier Award. There followed three more musicals; Dreamboats and Miniskirts (the sequel), Bringing On Back The Good Times (Dreamboats and Petticoats 3) and Save The Last Dance For Me, a musical built around the legendary songwriters Doc Pomus and Mort Shuman.

    Their latest stage offering is Cluedo 2, the show you have come to see tonight. They hope you enjoy it and are able to work out whodunnit.

  • Mark is best known for directing The Play That Goes Wrong (2015 Olivier Award Winner for Best New Comedy, 2015 Broadway World UK Award Winner for Best New Play & 2014 WhatsOnStage Award Winner for Best New Comedy). Mark took the show from tiny pub Theatre The Old Red Lion in Islington to the West End and various UK No.1 Tours and then all the way to Broadway where it was produced by JJ Abrams, his first ever Theatre production. While TPTGW was running at The Lyceum Theater in NYC, Mark won the 2017 Broadway World Award for Best Direction of a Play and the show itself picked up 2 more Best New Play Awards from Broadway World and Broadway.com. The show is now playing at New York at New World Stages and other replica shows are playing worldwide including Italy, Budapest and Mexico. 2024 marks The Play That Goes Wrong’s 10th year at The Duchess Theatre in London’s West End.

    Mark also directed the West End hit The Comedy About a Bank Robbery which was nominated for an Olivier Award and ran at The Criterion in the West End for over 4 years. Most importantly, Mark also directed the first CLUEDO stage play, a big hit on a national UK tour in 2022.

    Other directing includes:

    Fun at the Beach Romp-Bomp-a-Lomp (Southwark Playhouse), Iolanthe (touring), Windfall (Southwark Playhouse), Horse Country (Wilton’s Music Hall, Edinburgh & Adelaide Festivals & touring), Sirens Man and Crabs (Unity Theatre Liverpool & touring), The Tenants (Winterfest NYC), La Obra que Salle Mal (Theatro Helenico, Mexico City), Che Disastro di Commedia (Theatro Greco, Rome and touring ), Waiting For Waiting For Godot, (St James Theatre, off West End), Ma Este Megbukunk (Central Szinhaz, Budapest), Blue Blood by Anna Jordan (Hammersmith Riverside), The Revengers Tragedy (RCSSD, London), The Master & Margarita, Pieces, Cheap Thrills and Classic Cuts (East 15), A Servant to Two Masters, Scapin (CMU, Pittsburgh), The Snowfall (Etcetera), Breathing Corpses, Comedians, Marat/Sade, The Crucible, Agamemnon, Antigone and The Bacchae (LAMDA), Flea Circus, George and the Dragon and Fiddlesticks (Garlic Theatre).

    Comedy Director, Uncle Vanya (St James), The Titanic Orchestra (Edinburgh Festival).

    Trained at Ecole Internationale de Theatre, Jacques Lecoq, Mark was co-Artistic Director of Liquid Theatre. Liquid shows as actor and co-director include If You Were Mine (ACW), Feeding Time (BAC, 3 separate runs), Endgame (BAC) and Crave (BAC & Touring).

    Mark taught at LAMDA for over 10 years developing work on Clown, Bouffon, Melodrama and Chorus. He was head of 2nd year for 5 years. Mark has also taught at Royal Central School of Speech and Drama, Mountview, East 15, Carnegie Mellon University in Pittsburgh USA and Cours Florent in Paris.

    Mark has 2 new musicals in development and is also set to direct his first feature film, From Me To You, for Gold Circle Films.

    www.markbell.info

  • David designs Sets and Costumes for Theatre, Opera and Live Events and has worked on shows across the UK, Europe, U.S.A., Canada, Korea and Japan. He represented the UK at the 2019 Prague Quadrennial of Performance Design and Space and was part of the Society of British Theatre Designers’ Staging Places exhibition at the V&A.

    Credits include Sunday in the Park with George in New York and the West End, which won Olivier Awards for best design and best musical production at the Wyndhams and was nominated for costume design and set design at the 2008 Tony Awards. His credits in the West End include; The Comedy about a Bank Robbery, McQueen, Daddy Long Legs, A Little Night Music and Little Shop of Horrors, and A Little Night Music and 13 on Broadway.

    Other theatre credits include; The Snow Queen (Kingston Rose); Flood (Hull, Victoria Dock Half Tide Basin with Slung Low); Million Dollar Quartet (U.K. Tour); A Comedy About a Bank Robbery (Mischief Theatre Co., West End, UK Tour & Russia; The Fairy Portal Camp (RSC Stratford Avonbank Gardens, with Slung Low); Crush (U.K. Tour); Camelot: The Shining City (Slung Low for Sheffield Crucible); The Rocky Horror Show (European Tour); The White Whale (Slung Low); Snapshots (Goodspeed CT/ Seattle/ Arizona, US); Take Flight, Travesties, Are You There, McPhee? (McCarter Theater, US); Daddy Long Legs (New York/ London/ Rubicon CA/ Cincinnati/ Arizona/ Detroit/ Chicago/ Florida); Kiss Me Kate (Stratford, Ontario); Terrible Advice, Aspects of Love, Take Flight, The Last Five Years (Menier Chocolate Factory); Romeo and Juliet, The Tempest (Royal Dramatic Theatre Stockholm); Oklahoma! (Chichester); Corpse (Salisbury); Sweeney Todd (Gate Theatre); Opera credits include The Phoenix (Houston Grand Opera); La Bohéme (San Francisco Opera/Houston Grand Opera/Canadian Opera Company) and The Turn of the Screw (New York City Opera/BAM).

  • Jason was nominated for a Tony Award for Best Lighting Design for Journey’s End at the Belasco Theatre, Broadway. His design credits include:

    West End/ London: Journey’s End (Harold Pinter/ Playhouse/ Duke of York’s), Some Girls (Apollo), Fifteen seasons at Regents Park, Open Air Theatre, The Rivals, Daytona (Haymarket), The Letter, Honour (Wyndham’s), Twelfth Night (Noel Coward), Raiman (Lyric), Glorious, Our Boys (Duchess), What the Butler Saw (Criterion), Treason (Palladium), And Then There Where None (Duke of York’s), Gangsta Granny (Garrick,) High Society (Shaftesbury), Pygmalion (Old Vic), Great Balls of Fire (Cambridge), The End of the Night (Park Theatre), The Big Fellah (Lyric, Hammersmith), The American Plan (St James), Six Degrees of Separation, National Anthems (Old Vic), Connections season (National Theatre), The Empire (Royal Court), Abigail’s Party (Whitehall), Top Girls (Trafalgar), The Lyons (Menier), Di, Viv and Rose (Hampstead)

    UK Regional: Five seasons at Kilworth House Theatre including, Cats, Joseph, Hairspray, Guys and Dolls and West Side Story. Copenhagen (Sheffield theatres), over 20 productions for Alan Ayckbourn (Scarborough), 25 pantomimes and 55 other productions (Nottingham Playhouse as resident), Fallen Angles (Chichester), All My Sons (Plymouth), Tell Me on A Sunday (Old Laundry, Bowness), Mrs Pat (Chichester), Hysteria (Birmingham Rep), Madness of George III (West Yorkshire Playhouse), Dead Funny (Edinburgh), Kafka’s Dick (Bath), Hansel and Gretel (Grange Park Opera).

    UK National Tours: Looking Good Dead, Horrible Histories, The Syndicate, Treason, Looking Good Dead, Band of Gold, House on Cold Hill, How the Other Half Loves, The Commitments, Waiting For God, Henceforward, Not Dead Enough, Tom the Musical, Hero’s Welcome, The Rise and Fall of Little Voice, Single Spies, Stepping Out, Annie Get Your Gun.

    International: Journeys End (Broadway), Pygmalion (Broadway), Mamma Mia (Antwerp and Brussels, Belgium), Waitress, Evita, Love Never Dies, Billy Elliot, Anything Goes (Copenhagen, Denmark), Assassins (Bergen,Norway), 100 Year OId Man (Karlstad, Sweden), Matilda (Helsinki, Finland), Who’s Afraid of Virginia Wolf (Gate, Dublin), Merry Wives of Windsor (New York/Los Angeles), Charlie and the Chocolate Factory (Antwerp, Belgium), Peter Black (Budapest, Hungary), Rent (Antwerp, Belgium), Taming of the Shrew (Middle East tour), The Yalta Game/ Dumb Waiter (Gate, Dublin), A Midsummer Night’s Dream (Larnaca, Cyprus), Blood Brothers (New Zealand /Australia tour), A Doll’s House (Galway, Ireland)

    Representation: Clare Vidal-Hall Management

  • Jon has been designing sound and writing music for theatre for over 20 years. Show highlights include:

    Running Free (JW3 November 2023), The Comedy about A Bank Robbery (West End and UK Tour), Wilde Creatures (West End and UK tour), The Canterville Ghost (UK Tour 2018), The Gruffalo (Broadway, Sydney Opera House, West End, UK and International Tours), Romeo and Juliet (Verulamium outdoor theatre), And All the Children Cried (BAC, London), Measure for Measure Malaya (Riverside Studios), Room on the Broom (West End, UK and International Tours), The Gruffalo’s Child (West End, UK and International Tours), The Three Little Pigs (West End and Australian Tour), What the Ladybird Heard (West End, UK and International Tour), Emily Brown and the Thing (Broadway, Sydney Opera House, UK and International Tours), Mr Benn (UK Tour), Something Else (UK Tour), The Snow Dragon (UK and International Tours) .

  • Anna trained originally as an Actor Musician at Rose Bruford and upon graduating in 2001 became a member of New International Encounter Theatre Company, performing in 20 countries around the World including New York, Mexico and Japan. They received The Herald Angel Award and a Total Theatre Award at the Edinburgh Festival 2006. The company celebrated their 20-year anniversary in Norway in August 2021.

    Anna is a Director, Movement specialist and Intimacy practitioner, teaching regularly at The Royal Central School of Speech and Drama, Guildhall School of Music and Drama, Mountview and Shakespeare’s Globe.

    Directing /Movement Directing credits include: The Bacchai, As You Like It, Mary Stuart, The Devils, Cymbeline and Machinal, at The Royal Central School of Speech and Drama. The Winter’s Tale, Julius Caesar, Richard II and Twelfth Night with Rutgers at Shakespeare’s Globe. The Visit and The Government Inspector at the Cockpit Theatre, Moliere’s Tartuffe at The Albany, Deptford, The Wondercrump World of Roald Dahl at The Southbank Centre and Cluedo, National number 1 tour. Intimacy Coordinator credits include: Boiling Point (BBC), One Day (Netflix), Champion (BBC), The Winter King (ITV X) and Brassic (SKY).